Amphibious

You meet me at the bridge and ask me to discard my scales. Urgently: you say it’s time for me to join you above. It’s simple, you say, just pull them out like so many fingernails. You do not have them, so you do not know. You’ve given me no clippers so I must dig in and rip them out from the root.

It takes hours. You grow bored, you drowse beneath a tree nearby. My blood stains the swamp and it bubbles in my wounds. I’m cleansed by black water tannins. My sides and legs shredded and oozing, I roll onto the riverbank. You gather me up in the net of your arms.

You have a place for me in a nice suburban home. I’ll have a family: someone to look after me each day. There is awe and love in your eyes. I have hidden my gills; I hope that as I learn to breathe your air, they do not fall away.

Short Night Worries (9)

At night, I worry about contrived nonfiction. Why do writers do things “for the story”? When tragedy hits us, or when something wonderful happens, we are so aware of the brevity of time that the only way to memorialize the moment truly is to write about it. Not for anyone else, but for the sake of that moment and what it created in us, however briefly. We aren’t used to things staying the same, and when they do we start looking for the stories, for the changes, and if they aren’t there we go out and make them ourselves.