Cosmology in Her Skin

I now allow myself to write
those velvet throats, those waves of female form,
without discrediting the work
as politic instead of rather than also poetic.

I touch a woman and learn long dead languages, taste her breath and tides pull me under,
where the ocean names my atoms
reminds me all I’d know
if the Earth herself were my politics.

The swamp is my reliquary, and deep within, death and life and death sing across the waters.
She too carries this candor, her body equally unnavigable without submission. I’ve learned this:
How could I see the naked world

and wish it clothed? How could I breathe good air filtered over light years, bequeathed to me by the stars I count beside my lover,

and wish to bottle it? Nothing, not poetry, not politics, will spare me if I cannot spare her.

Short Night Worries (9)

At night, I worry about contrived nonfiction. Why do writers do things “for the story”? When tragedy hits us, or when something wonderful happens, we are so aware of the brevity of time that the only way to memorialize the moment truly is to write about it. Not for anyone else, but for the sake of that moment and what it created in us, however briefly. We aren’t used to things staying the same, and when they do we start looking for the stories, for the changes, and if they aren’t there we go out and make them ourselves.